Screen Shot 2020 01 17 at 11.27.50 AM - Outsider Art Fair New York January 16-19, 2020 @OutsiderArtFair

Outsider Art Fair New York January 16-19, 2020 @OutsiderArtFair

The Outsider Art Fair takes place January 16-19, 2020 at the Metropolitan Pavilion in New York City.

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New features of the 2020 Fair include a redesigned floor plan and revamped café, various curated projects, special programs, and first-time exhibitors from Japan, India, Portugal, Canada, and various U.S. cities.

CMA Permanent Collection courtesy of Childrens Museum of the Arts 540x360 - Outsider Art Fair New York January 16-19, 2020 @OutsiderArtFair

Participating galleries in the 28th edition of the Fair include 65 exhibitors, representing 35 cities, from 10 countries, with 10 first-time galleries.

Among the first-timers are: ACM Gallery (Tokyo, Japan); Arushi Arts (New Delhi, India); bG Gallery (Santa Monica, CA); Howard Greenberg Gallery (New York, NY); Les Impatients (Montreal, Canada); Koelsch Gallery (Houston, TX); Kushino Terrace (Hiroshima, Japan); MANICÓMIO (Lisbon, Portugal), and Stephen Score (Beacon, MA). The 2020 Fair’s Curated Spaces include:

Hummingbirds composition 540x720 - Outsider Art Fair New York January 16-19, 2020 @OutsiderArtFair

The Hummingbird Paints Fragrant Songs: Sara Flores and Celia Vasquez Yui, an exhibition cocurated by Brett Littman (Director of the Isamu Noguchi Foundation and Garden Museum in Long Island City, New York), and The Shipibo Conibo Center in West Harlem, New York.

Both artists, Flores and Yui, live and work in a region of the Peruvian Amazon where the Shipibo indigenous peoples are struggling for their cultural and social survival against deforestation and oil and palm interests, which brutally encroach on collective land and lifeways.

The work is spiritual and tied to indigenous wisdom and the healing ceremonies of local shamans. The intricate patterns in the works signify this deeper consciousness and also communicate a strong relationship with plants, the earth, and ecology.

The work of both artists appeared in the film Icaros: A Vision (2016).

• Relishing the Raw: Contemporary Artists Collecting Outsider Art, an exhibition curated by Paul Laster (writer, editor, independent curator, artist and lecturer), of Outsider Art collected by contemporary artists. Contemporary artists lending work from their collections include Polly Apfelbaum, Maurizio Cattelan, John Drury, Nicole Eisenman, Jenny Holzer, KAWS, Chris Martin, Nicolas Party, Julian Schnabel, Cindy Sherman, James Siena, Laurie Simmons, Terry Winters and others.

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They are lending paintings, sculptures, photographs and drawings by such notable self-taught artists as Vahakn Arslanian, Morton Bartlett, Hawkins Bolden, Eugene Von Bruenchenhein, James Castle, Curtis Cuffie, Howard Finster, Lee Godie, William Hawkins, Daniel Johnston, Mary T. Smith, Janet Sobel, Miroslav Tichý, Mose Tolliver, Joseph Yoakum, and many more.

Special Projects at the 2020 Fair include:

• A special project wall of 500 “bogus cinderella” postage stamps—stamps created for fictitious states to declare their existence, but which hold no postage value—is curated by Laura Steward (Curator of Public Art at the University of Chicago).

The stamps offer a unique glimpse into an alternative United Nations of 25 “bogus” states.

They are largely drawn from the former collection of Jim Czyl (1947 – 2014), who wrote the “Cinderella Scene” column in Linn’s Stamp News from 1982 until his death. • From the Perspective of a Child is an exhibition of artworks from the permanent collection of the Children’s Museum of the Arts (CMA), which houses over 2,000 artworks by child artists from over 50 countries.

The CMA permanent collection sheds light on children’s art and ideas from a broad range of eras and regions by providing windows into how children have seen and represented their world in specific historical, social, regional, and national contexts.

On view are selected pieces from the Kuniyoshi Collection, a portion of CMA’s permanent collection representing young artists who participated in the Federal Art Project (FAP), part of the Works Progress Administration (WPA) created in the 1930s.

The FAP offered free arts education to people of all ages. In concept and function, this open-door policy promoted the arts as a valuable element of society and an activity to which every individual should have access.

Ace Hotel Programming:

• A site-specific installation by artist and poet Frederick Weston titled Frederick Weston:

Blue Bedroom Blues will be on view at Ace Hotel New York from January 6 through February 6, 2020.

Frederick Weston Blue Bathroom Blues 13 1999 Collage on color photocopy 8.5 x 11 in courtesy Gordon Robichaux NY 540x705 - Outsider Art Fair New York January 16-19, 2020 @OutsiderArtFair

The exhibition is presented in conjunction with the Outsider Art Fair and is curated by Gordon Robichaux, NY. For Weston’s immersive installation, the walls of the gallery are painted entirely in the artist’s signature blue, within which he has installed a series of his intimate paper collages from 1999 and a large multi-panel artwork created specifically for the exhibition. In the center of the gallery, Weston transforms a bench with a fabric cover that suggests a bed (made in collaboration with Martin Keehn). “I make all my work in bed,” says Weston, whose apartment, which is also his studio, is crowded with binders and file boxes of materials for his art—a vast archive spanning his years living in New York. Before moving into his current apartment in Chelsea, Weston lived in SROs and hotels all over the city—the Esquire, the Senton, the Roger Williams , and the Breslin, now the site of The Ace Hotel.

Much like the artist, filmmaker, anthropologist, and mystic Harry Smith, Weston’s years in residence at the Breslin provided affordable lodging in the heart of Manhattan among a community of like-minded creatives. Weston’s Blue Bedroom Blues brings his life and work full circle. The Blue Bedroom Ballads/Blue Bathroom Blues series is inspired by Weston’s experience living with HIV. The exhibition coincides with Weston’s inclusion in Souls Grown Diaspora at apex art in New York, curated by Sam Gordon and on view January 11–March 7, 2020.

The Fair is pleased to continue its partnerships with Raw Vision Magazine, the American Folk Art Museum, the John Michael Kohler Arts Center, Intuit, and beneficiary God’s Love We Deliver.

About the Outsider Art Fair:

Founded in New York in 1993, the Outsider Art Fair is the original art fair concentrating specifically on self-taught art created outside the mainstream, presenting works by acknowledged masters including James Castle, Aloïse Corbaz, Henry Darger, Thornton Dial, William Edmondson, Martín Ramírez, Judith Scott, Bill Traylor and Adolf Wölfli, as well as contemporary figures like M’onma, Susan Te Kahurangi King, Dan Miller and George Widener.

Quickly recognized for its maverick spirit, OAF played a vital role in building a passionate collecting community and broader recognition for outsider art in the contemporary art arena. In 2012, the Outsider Art Fair was acquired by Wide Open Arts, a company formed by New York gallerist Andrew Edlin.

With its debut edition in 2013 the Fair established guest curatorial projects and the talks program. The 2013 Fair enjoyed rave reviews and more than tripled its previous attendance records. Propelled by this success, Wide Open Arts took the Fair to Paris for the first time in October 2013, helping to reinvigorate the city’s long tradition of recognizing and championing art brut and self-taught artists.

The Outsider Art Fair is located at Metropolitan Pavilion: 125 West 18th Street

Open to the Public:

Friday, January 17th: 11:00 am – 8:00 pm

Saturday, January 18th: 11:00 am – 8:00 pm

Sunday, January 19th: 11:00 am – 6:00 pm

Click here for additional information

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